Words: Robert Brink / Monster Children, Fall 2015
In a 1999 interview for TransWorld Skateboarding, Neil Blender was asked what he felt his biggest contribution to skateboarding was. His reply: “I don’t even know. I just skated … did my part.”
Twelve years later, Neil’s good friend, Lance Mountain, was quoted saying, “Neil was one of the first guys to draw his own graphics. He was the first one to give tricks different names. He was our ringleader. Neil’s myth is more hidden and harder to find, but there would be no Mark Gonzales without Neil Blender.”
Regarding Neil Blender’s impact on skateboarding, there’s quite a disparity between those two statements, yet both are quite sincere. Lance might be communicating what Neil is too humble to say, or would never think to say. But aside from his actual skateboarding, the beauty of Neil Blender has always been the Zen purity and childlike innocence by which he seems to perceive and regurgitate skateboarding, as well as his understated, unintentional genius—both creatively and as an observer of human behavior.
Characters like Neil are so very rare in modern day skateboarding, and that’s exactly why the people who witnessed them firsthand, like our guest editor Jason Lee, hold them in such high regard. Neil’s place in skateboarding is not unlike that of Mitochondrial Eve … he’s a common ancestor that has somehow and some way, affected us all.
Your Instagram has some old surfing and BMX photos. Did skateboarding feel closer to, and more inspired by them back in the 80s? When I was a kid in New Jersey in 86/87, all the BMXers and skaters hung out together.
BMX and skateboarding were kinda the same back then. We would ride our bikes to pools or Moonpark (Sadlands) with a skateboard on our handlebars. We’d end up taking runs on the bike just to see what it was like. It was super fun. Surfing was a little further away for me back then. When I got a car, I started skimboarding because I’d seen it in Action Now. That’s probably the funnest out of all of them.
Do you feel skateboarding is as inspired, creatively, as it used to be? I wonder if it’s too much about the tricks or the careers of the skaters these days—more athletic than having an emphasis on creativity and style.
I don’t think about it. It’s just progressing the way it goes. People are trying crazy stunts and stuff, but it’s still the same really. Style is the final result in whatever you are doing. What it takes to get something done. Walking across the street, driving a car, whatever—style is always involved in the outcome. Hosoi has great style. So does Lance. Big gaps are rad if you want to split your head open. Handrails are gnarly too. I don’t even know what the question was now. Skateboarding is great. Much like other activities, it gives you time to work stuff out.
As someone who so many people reference as an influence to their skating, I’m wondering who your influences were.
Anyone who was doing stuff that looked fun. Darrell Miller, Ray Bones, Lance Mountain—people I skated with.
What was it like for you being inducted into the Skateboarding Hall of Fame this year and, in general, knowing you have influenced so many people who came after you in skateboarding? Jason Lee being an example, as it inspired this interview.
It’s weird to go up in front of a bunch of people to accept an award but I am stoked to be a part of those names: Tony Alva and Stacey Peralta just to name a few. That’s cool. I remember Jason Lee. He and the Gonz were always into funny stuff. Then I didn’t see him for a long time; maybe I still haven’t seen him in like, 20 years.
Who do you enjoy in skateboarding today and what bums you out?
I like seeing Alex Perelson ride. He’s amazing. Chris and Zach Miller; Lance has a very powerful frontside invert. Lance was a huge inspiration to me—super fun to skate with. We rode his ramp for years.
The thing that bums me out with skating is where they put parks. There’s never any trees. They think they need to clear them out and then start digging bowls. There are a few places that look fun but they are in Oregon. Cradles are dumb too.
Thinking back to your infamous Tempe, Arizona contest run in 1986, what prompted such an unconventional approach? Did you have any clue it would resonate like it did?
Tempe was really hot, temperature-wise. I remember thinking how lame it was that we were having a contest out in that parking lot. The whole thing seemed like a waste. I remember thinking, “I don’t even want to skate.” I found a little can of spray paint in my car. I had cargo shorts on so I put it in the pocket and thought, “I’ll just draw at some point. That’s something you do when you find paint out at street spots.” Then Chris Cook did a crazy wallride through it and smeared a little. I was stoked he reacted with that.